I play (mostly acoustic) Guitar, Ukulele, Harmonium, Piano, and Synthesizers. I also sing along. Over the years I have participated in a couple of bands and choirs, but these days, I’m on my own again.
If you would like to inspect the ancient origins of all this, my early AMIGA works are still preserved on the AMIGA page — a museum of tracker optimism, heroic samples, and highly negotiable taste.
I’ve been buying and selling a lot of gear in the last 30 years. Eventually I settled on a setup that lets me record mostly in-the-box, i.e. a DAW, a lot of virtual instruments and plugins, and some controllers.
These days, I prefer Apple (formerly Emagic) Logic as the DAW, U-He synths and effect plugins, and Native Instruments controllers. I also purchased a lot of sample libraries for my orchestral endeavours from Spitfire Audio, Orchestral Tools, and 8dio.
After being pretty much inactive for more than two decades, I finally got around to working on music again. You can listen to the tracks in most of the usual music stores and streaming services. iTunes, Spotify, Apple Music, Amazon Music, Deezer, and more. Just search for “Fabrique Noir” (Ambient Electronic), “Taberna Mercurio” (Jazz, Alternative), or “Subliminal Thrust” (Rap, Hip-Hop).
Abduction tells the story of a group of humans that are abducted by aliens, spend some time in mysterious dark laboratories, and finally return to Earth. I just can’t let go of the SciFi theme… yet!
Track List: Abducted (4:16), Foreign Surfaces (4:10), Otherworldly (5:40), The Lake (7:14), Retroactive (2:56), Breakthrough (4:28), Interlude (5:00), Elevator (4:33), Plateau (7:24)
Airlock brings us back into space and is the third chapter of our space travel theme. This bows down to books of the legendary Douglas Adams. 42!
Track List: Intro (1:46), Kommunikationslaser 17 (6:16), Thursdays (4:58), Perseids (5:12), Infinite Improbability Drive (5:58), Interface (1:26), The Chase (5:36), Behind The Walls (4:02), Alive (6:00), Disparity (5:28), Tribal Wars (4:56)
Tales From Enwor has been inspired by a well-known German SciFi and Fantasy author that I enjoyed reading a lot during the 1980s and 1990s. I have a sweet spot for medieval sounding vocals, which hopefully shows on Gowenna’s Prayer (which I’m very proud of).
Track List: Vela’s Plan (2:55), Gowenna’s Prayer (4:24), Cearn (5:09), Nonakesh (4:14), Besh Ikne (3:12), Quorrl (3:31), Satai (3:57), Dronte (4:14), Skar’s Lament (3:41)
Colonization continues the story of space travel towards the colonization of a new planet. Most of the tracks have been composed while I had a hemiplegia of one side of the face. There’s a certain narrowness in the sound that I couldn’t shake off which reflects to my illness back then.
Track List: Intro (2:09), Cryosleep (5:40), Approaching (5:19), Terraforming (4:54), Machinery (7:26), Settlers (5:51), Virus (4:56), Evolution (5:22), Outro (2:45)
Brand New High Technology tells the story of a well-known blue planet that experimented with dangerous technology to solve their needs for energy. It is an obeisance to the track Generator 7/8 from the congenial band Moskwa TV. The “back side” In His Quest For Progress is an ambient instrumental.
Track List: Brand New High Technology (5:46), In His Quest For Progress (4:13)
Justice is an electronic club track about social inequality. That one was a hard job chopping vocal recordings, but I think it was worth it. With the drums and the overall athmosphere, I also tried to catch a bit of the Bad News (OFF) vibe. The “back-side” Return to Oberkorn is an ambient instrumental that has been inspired by one of the rare instrumentals of Depeche Mode.
Track List: Justice (4:45), Return to Oberkorn (5:17)
Marley’s Story is a jazzy murder tale featuring vocals by the amazing Simone Jeiter. This one almost wrote itself after the image of a diva in a night club emerged in my mind. Although equipped with a slight cough, Simone did a magnificent job by nailing the vocals in just a single two hours recording session.
Track List: Marley’s Story – Live (4:35)
Somnus Ambulare is an ambient / downtempo single taking us through different moods featuring three excerpts of a forthcoming concept album. It starts with a day at the harbor, then we dive deep into the sea, sing with the whales, and come back to the surface.